The Sugary Contours by Peter J. Dellolio

The sugary contours of the Purgatorial

guitar emit a preciosity of fluid

injuries preceded by pasta steam and

validated vigorousness.


Born 1956 New York City.  Went to Nazareth High School and New York University.  Graduated 1978: B.A. Cinema Studies; B.F.A. Film Production.  Wrote and directed various short films, including James Joyce’s short story Counterparts which he adapted into a screenplay.  Counterparts was screened at national and international film festivals.  A freelance writer, Peter has published many 250-1000 word articles on the arts, film, dance, sculpture, architecture, and culture, as well as fiction, poetry, one-act plays, and critical essays on art, film, and photography.   Poetry collection “A Box Of Crazy Toys” published 2018 by Xenos Books/Chelsea Editions.  He is working on a critical study of Alfred Hitchcock, Hitchcock’s Cinematic World: Shocks of Perception and the Collapse of the Rational.  Chapter excerpts have appeared in The Midwest QuarterlyLiterature/Film QuarterlyKinemaFlickhead, and North Dakota Quarterly since 2006.

His poetry and fiction have appeared in various literary magazines, including AntennaAero-Sun TimesBogus ReviewPen-Dec PressBoth Sides NowCross Cultural Communications/Bridging The Waters Volume II, and The Mascara Literary Review.  Dramatika Press published a volume of his one-act plays in 1983.  One of these, The Seeker, appeared in an issue of Collages & Bricolages.  Peter was a contributing editor for NYArts Magazine, writing art and film reviews.  He authored monographs on several new artists as well.  He was co-publisher and Editor-in-Chief of Artscape2000, a prestigious, award-winning art review e-zine.  He has also taught poetry and art for LEAP.  He is an artist himself: https://www.saatchiart.com/peterdellolio.com. His paintings and 3D works offer abstract images of famous people in all walks of life who have died tragically at a young age.  He lives in Park Slope, Brooklyn.